Noise in silence

What better breath of fresh air during the working day than a quick gallery fix? One of the most wonderful things about London is that apart from special exhibitions, all the museums and art galleries are free, and no-one tries to sell you anything (except when you exit via the gift shop...).

Anyway, finding myself at a conference near the financial district, I snuck into the corner gallery of ‘Bloomberg SPACE’ to see Damien Deroubaix’s contribution to the new Comma series of special commissions. 

Enitled ‘ A place to lose oneself’, the blurb says ‘The visual noise that Damien Deroubaix energetically orchestrates in his paintings, sculptures and woodcuts is overwhelming: brutal, deafening, sharp and dissonant.’

His piece is a tree.

But somehow it is more than that. It is an angry tree, and in the silent white gallery space, it really does create visual noise. Not my 'taste' and perhaps not the most peaceful lunchbreak, but certainly a thought-provoking one. 

It made me think about what makes me like some art and not other, and in the end I think it comes down to whether it speaks to me, tells me a story, and whether the colours and textures draw me in. 

How do you know what you like?

Knitting for good

Yesterday I added my two stitches to the world’s biggest knitted textile! Force of nature Ingrid Wagner had brought her 4-metre long(!) needles to the Twisted Thread Stitch and Craft Show at Olympia, showcasing her particular style of ‘big knitting’ and raising money for Breast Cancer Care.

Ingrid holds the Guinness World Record for knitting with the biggest needles, which were over twice as long as she is tall! She said that it made her feel like she was a character in The Borrowers – either that or she was knitting a scarf for a Big Friendly Giant…

Ingrid also makes divine wall hangings and rugs out of this 'big knit yarn' which is about 4cm wide

Watch out for the giant needles coming to a town near you, and knit a stitch or two for Breast Cancer Care. There’s nothing like women supporting women.

Hanging out with London’s emerging new craft talent

One school night last week I blissed out at ‘Craft London: the exhibition of emerging new talent’ in Clerkenwell. I headed over to the cosy gallery space of Craft Central for wine and chat with some of London’s most talented makers. Having been challenged to rediscover their city and represent this visually, the exhibition was as varied as the capital’s 32 boroughs, and reflective of the city’s incredible cultural diversity.

French-born illustrator Julie Vermeille translated her love of fairytales into 3D characters living in her installation, creating a fantasy world of fabric pigeons, lace clouds and stringy stuffed people based on children’s book Arthur’s Seat. Quirky and cute.

Ruth Babajide celebrated her West African heritage with a range of loud, colourful ceramic storage units, in stark contrast to the delicate and peaceful collection of hand thrown porcelain whispers created by Hannah James (below).

Jessica Light is a woman on a mission to revitalise the dying craft of tassel-making. Jessica was responsible for the ornate embroidery on Buckingham Palace’s balcony hangings, and now works with designers such as Vivienne Westwood to find a new life for a centuries-old skill.

But my favourite of all was the set of magical cobwebs created by Katie Barton. ‘Spun’ from metallic embroidery thread and fixed into jewellery cases, they took two days to install and will be destroyed after the exhibition. Katie, who describes herself as having an obsession with making repulsive things beautiful, said she loved the ethereal nature of piece. I felt simultaneously privileged to have seen these gorgeous creations, and sad to know that they will soon be swished away to nothing, as if they were never there.

We entered into the age-old ‘what is art, what is craft?’ debate, swiftly followed by a lively discussion on the pros and cons of being university trained vs being a self-taught artist.

These are topics I shall return to, as I ponder them often.  What are your thoughts?


The exhibition also featured fabric craft, ceramics and jewellery from Anna Johnson, Laura Felicity, Jo Davies, Ana Meneses, Daniele Geargeoura, Yuki Sasakura Assiter and Alexandra Simpson.