Look what dropped through my letter box...

This one-of-a-kind stitched postcard, handmade with love all for me winged its way from the US across oceans and land to arrive today, safely, in my letterbox. 

Thank you so much Susan Vincent Molinaro, for the care your took in designing something so thoughtful.  I love the phrase on the back:

"like sands through the hourglass, so are the days of our lives".

I need a REALLY big hourglass to have time for all of life's adventures!!

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I have put it up in The Great Big Stitched Postcard Swap Flickr Group, where a few others have started to arrive - go and have a look.  It's so interesting to see how everyone has interpreted the theme 'time' differently.

Life has got in the way for a few people (which is of course as it should be!), so the postcards will be drifting in slowly over the next couple of weeks.  I will feature some of them on here, but do keep an eye on the Flickr Group for updates, and don't forget to upload yours when it arrives, and leave your link in the comments below! 

Note to participants: If you aren't a member of Flickr and/or don't have a blog, please do send a photo of the card you receive to me, and I will share it here

Back to basics

Imagine the scene.  Ten people sketching furiously to a strict time limit of ten seconds, one life model pose after another, papers flying everywhere, tossed to the floor on each ring of the bell for a new pose, new piece of paper, new sketch.  A veritable storm of drawing paper and charcoal dust...

10 second sketch

(10s is seriously quick!

I'm not sure I even looked at the paper in that time)

I spent most of Saturday at the Northern Film School taking a fascinating workshop on Drawing Figures for Animation.  Five solid hours of live drawing, with the longest sitting at 20 minutes - exhausting but exhilarating.  And seriously good practice.  We did a mixture of contour drawings, gesture drawings and charicatures with charcoal, pencil and marker pens.  I came away with about eighty sketches, and a whole lot more confidence in figure drawing. 

30 second sketch

Sometimes it is worth putting a time limit on your work to focus your attention and really make you look.  Then it's up to you whether you stick to the rules, break the rules or abandon the rules altogether!

(2 minute sketch)

When was the last time you played around in your sketchbook?

Do What You Love interview: Dimitri Kolioussis

Today's Do What You Love interview isn't really an interview.  It is more of a conversation, with one of the last real professional Icon Painters in Greece.  I dropped in to visit Dimitri Kolioussis in his studio on the beautiful island of Santorini when I was there on holiday recently.  Dimitri learnt all the important things he knows about painting from the elders in his village. 

His work is so revered that he has been commissioned to paint 14 icons for the legendary Panagia Episkopi Church on Santorini, a church which has existed on the island for over 1000 years.

He is the first artist I have ever met who expects his work to last 'for hundreds of years'.  That in itself is a lesson to us all to have confidence in the longevity of what we produce (and use archival quality materials!)

Dimitri's cave studio

Dimitri's studio is inside one of the white caves set in the cliffs of the volcanic island of Santorini.  He spends hours in this vaulted space, swishing his long white hair and his horse-hair brushes, recreating visions from religious stories of old. He has been painting his whole life, and here are some of the pearls of wisdom he offered me as I sat quietly with him in his studio, observing him paint with oil and gold leaf on stunning old doors:

• "Art school is valuable for the techniques it teaches you, but after that it is up to you.  It is like learning to speak a language - you need to know the words in order to write the poetry.  But too much technique and you end up with a politician's speech that is of no value to anyone, with no truth in it."

• "Although all artists need their creative freedom, commissions actually help you develop and grow, as they force you to think about something you might not ever have imagined yourself"

• (Commenting on the fact that the public can wander in to his workshop at any time, which I thought was quite generous)  "For some people art is a gift from nature, and artists who receive such a gift have a responsibility to share it, not keep it to themselves."

This is a very interesting way of looking at talent.  For all those artists among you who are facing fears of rejection, are nervous about being accepted, or don't having the courage to put yourself out there, perhaps it would be different if you thought about it as your responsibility to society to share what you have been given, and do what you love!

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For more inspirational Do What You Love interviews see here